âIf you get the ring to land on the jar in the middle, you get to keep the fifty dollar bill taped to it, see?â Andy hands me a small, red plastic ring. I toss it. It misses. // âItâs called entrapment,â Bud explains, âPeople canât help but try it once they see that money.â Budâs been in the carnival business thirty years. // âThereâs an old Gypsy saying that all us carneys leave behind is cigarette packs and wagon tracks.â He looks at me. âGirls come here to get knocked up âcause the guys are gone in a week. A lot of people work here âcause theyâre wanted by the cops.â // âJesus Bud,â Andy interjects, âyou gonna tell her everything?â // Bud ignores him. // âThe games with the big prizes are rigged. You see that guy?â He points to the meaty, ponytailed man in the next stall. âHeâll rip you off faster than you can blink. But Mary over there is nice, you should talk to her.â // Mary sells Scooby-Doo dolls and a hundred bow-tie-toting rubber ducks that float round and round in a plastic blue baby-pool. I take a picture of the plush poop emojis hanging from Andy and Budâs tent ceiling. // âThey treat you like shit too,â Bud continues, âI got interviewed in Cleveland once and talked about it. All the other carneys got mad at me for speaking the truth. But where I come from you donât lie.â He stands a little straighter. // Over the crowd echoes a tinny recording of children singing âTake Me Out to the Ballgameâ. // I smile and thank Bud and Andy for talking with me, to which Andy replies, âOh donât worry about it, youâre a nice young lady, have a good day now.â // I escape into the masses, my presence once more masked by the screams of children, the crank, grind, and whoosh of technical monstrosities, and the ringing lyrics; âFor itâs one, two, three strikes youâre outâŚâ
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